Samuel Pajand

Exploring the relationship of vibrations and movements between light and sound. This is what interests the musician Samuel Pajand and the scenographer Victor Roy. In Champ (Field), a piece created in 2020 with organist Vincent Thévenaz for churches, sounds collide with a field of industrial candles, composed of a hundred or so fluorescent tubes controlled by computer to form a choreographed undulating movement.

For le Printemps de septembre, he adapted this singular and dreamlike performance for the public space.